The following E-Books are available through Hinds Libraries. Search for more titles by limiting your catalog search to eBooks. In order to access eBooks off-campus, you will need to sign in with your Hinds credentials. There are sometimes usage restrictions for e-Books depending on the publisher and licensing agreements.
Dalí by
Salvador Dalí (1904-1989) is best known for his unique and striking style with an extraordinary repertoire reaching out across film, painting, photography, and sculpture. Whilst his name may be most commonly associated with Surrealism, Dalí consummately displayed mastery over such broad genres as classical, modernist, and Cubist styles. A crucial figure in art history, Dalí has inspired countless literary works and this edifying Best Of volume gives readers a fascinating insight into the life and career highlights of one of art's most controversial and exciting pioneers.
Vincent Van Gogh by
The incarnation of the myth of a cursed artist, Vincent van Gogh (1853-1890) is a legend who became a reference for modern art. An Expressionist during the Post-Impressionist movement, his art was misunderstood during his lifetime. In Holland, he partook in the Dutch realist painting movement by studying peasant characters. Anxious and depressed, Vincent van Gogh produced more than 2000 artworks, yet sold only one in his lifetime. A self-made artist, his work is known for its rough and emotional beauty and is amongst the most popular in the art market today.
Gustav Klimt by
"I am not interested in myself as a subject for painting, but in others, particularly women..."Beautiful, sensuous and above all erotic, Gustav Klimt's paintings speak of a world of opulence and leisure, which seems aeons away from the harsh, post-modern environment we live in now. The subjects he treats - allegories, portraits, landscapes and erotic figures - contain virtually no reference to external events, but strive rather to create a world where beauty, above everything else, is dominant. His use of colour and pattern was profoundly influenced by the art of Japan, ancient Egypt, and Byzantium. Ravenne, the flat, two-dimensional perspective of his paintings, and the frequently stylised quality of his images form an oeuvre imbued with a profound sensuality and one where the figure of woman, above all, reigns supreme. Klimt's very first works brought him success at an unusually young age. Gustav, born in 1862, obtained a state grant to study at Kunstgewerbeschule (the Vienna School of Arts and Crafts) at the age of fourteen. His talents as a draughtsman and painter were quickly noticed, and in 1879 he formed the Künstlercompagnie (Artists' Company) with his brother Ernst and another student, Franz Matsch. The latter part of the nineteenth century was a period of great architectural activity in Vienna. In 1857, the Emperor Franz Joseph had ordered the destruction of the fortifications that had surrounded the medieval city centre. The Ringstrasse was the result, a budding new district with magnificent buildings and beautiful parks, all paid for by public expenses. Therefore the young Klimt and his partners had ample opportunities to show off their talents, and they received early commissions to contribute to the decorations for the pageant organised to celebrate the silver wedding anniversary of the Emperor Franz Joseph and the Empress Elisabeth. In 1894, Matsch moved out of their communal studio, and in 1897 Klimt, together with his closest friends, resigned from the Künstlerhausgenossenschaft (the Cooperative Society of Austrian Artists) to form a new movement known as the Secession, of which he was immediately elected president. The Secession was a great success, holding both a first and second exhibition in 1898. The movement made enough money to commission its very own building, designed for it by the architect Joseph Maria Olbrich. Above the entrance was its motto: "To each age its art, to art its freedom." From around 1897 onward, Klimt spent almost every summer on the Attersee with the Flöge family. These were periods of peace and tranquillity in which he produced the landscape paintings constituting almost a quarter of his entire oeuvre. Klimt made sketches for virtually everything he did. Sometimes there were over a hundred drawings for one painting, each showing a different detail - a piece of clothing or jewellery, or a simple gesture. Just how exceptional Gustav Klimt was is perhaps reflected in the fact that he had no predecessors and no real followers. He admired Rodin and Whistler without slavishly copying them, and was admired in turn by the younger Viennese painters Egon Schiele and Oskar Kokoschka, both of whom were greatly influenced by Klimt.
Great Artists by
Discover a refreshingly new approach to exploring the lives of 50 major painters in Great Artists. Using detailed annotation of key works as well as other contemporary images, Great Artists provides intriguing insights into the creative genius of artists from Michelangelo to Matisse, Canaletto to Klee and Hogarth to Hopper. The unique, visual approach of Great Artists is complemented by authoritative text that highlights important events in each artist's life, explains their techniques and stylistic trademarks, and outlines their personal development and intentions. The book's generous size and superb reproduction enable you to appreciate the fascinating detail of each work, while the detailed annotation highlights the particular features - such as hidden symbolism or distinctive brushwork - that distinguish each artist's work. Arranged chronologically, Great Artists looks at how the artistic development of individual artists led to the creation of distinct schools and movements, such as Cezanne and Post-Impressionism, and Picasso and Cubism. Images and influences that were inspirational to the artist are featured, providing a clearer understanding of what helped to shape each work. Great Artists is an accessible and stimulating guide that provides a powerful insight into the creative world of the artist.
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Art Marketing by
The textbook ART MARKETING is for university and college students who study art management or cultural management, creative industries, or management of creative activities. It is also essential for artists who wish to act in the arts market without agents (galleries, art managers), i.e., to carry out self-management. For an artist, this will become a tool for his/her establishment to act in the arts market because it talks about creating and maintaining a personal brand and further development of storytelling in branding. It is also relevant for arts and cultural organisations because brands help to attract audiences. The most complex task is to figure out how to attract and engage audiences. The textbook provides answers to many relevant questions on marketing subtleties for organisations acting in the global world and modern-day arts market by providing systemic theoretical knowledge that forms various skills (analysis, synthesis, abstraction, etc.). The book analyses various types of art marketing with diverse local and global examples (second chapter). The first chapter presents a detailed analysis of the constituents of the art marketing complex, whereas the third chapter introduces a discussion about the arts market and its constituents, peculiarities of postmuseum activities and virtual reality in contemporary art.
Art by
Discover the secrets behind Botticelli's dream-like designs, admire Klimt's gold-laced erotic surrealism, and explore the emotion of Van Gogh's swirling brushwork as you journey through the ages of Western art. Art: A Visual History offers a clear insight into artists, themes, paintings, techniques, and stories. With input from experts in their field, this comprehensive book covers a long time frame, from early art in 3000 BCE to contemporary work, with features on the major schools and movements as well as close-up critical appraisals of 22 masterpieces. Over 650 artists are featured alongside large, full-color images of both iconic works and lesser-known gems, providing an expansive view of art history. A firm foundation in the subject is ensured by an exhaustive glossary of terms. Art: A Visual History addresses the pertinent question "what makes great art?". Combining detailed yet accessible text alongside crisp reproductions, this indispensable volume is a must-have for anyone with a passion for art and art history.
Art History: a Very Short Introduction by
Art history encompasses the study of the history and development of painting, sculpture and the other visual arts. In this Very Short Introduction, Dana Arnold presents an introduction to the issues, debates, and artefacts that make up art history. Beginning with a consideration of what arthistory is, she explains what makes the subject distinctive from other fields of study, and also explores the emergence of social histories of art (such as Feminist Art History and Queer Art History). Using a wide range of images, she goes on to explore key aspects of the discipline including how wewrite, present, read, and look at art, and the impact this has on our understanding of art history.This second edition includes a new chapter on global art histories, considering how the traditional emphasis on periods and styles in art originated in western art and can obscure other critical approaches and artwork from non-western cultures. Arnold also discusses the relationship between art andhistory, and the ways in which art can tell a different history from the one narrated by texts.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, andenthusiasm to make interesting and challenging topics highly readable.
Figure Drawing for Artists by
Award-winning artist Steve Huston shows beginners and pros alike the two foundational concepts behind the greatest masterpieces in art and how to use them as the basis for their own success.
Handbook of Advanced Ceramics by
This new handbook will be an essential resource for ceramicists. It includes contributions from leading researchers around the world and includes sections on Basic Science of Advanced Ceramics, Functional Ceramics (electro-ceramics and optoelectro-ceramics) and engineering ceramics. Contributions from more than 50 leading researchers from around the world Covers basic science of advanced ceramics, functional ceramics (electro-ceramics and optoelectro-ceramics), and engineering ceramics Approximately 750 illustrations
Mastering Light by
Portrait lighting is part art, part science. There are so many tools at the photographers’ disposal--and myriad settings and setups that can be used. Curley Marshall teaches you the nuts and bolts of portrait lighting. You’ll learn to work with natural light and studio lighting sources, both as they exist and in modified forms.
Master the Art of Speed Painting by
For matte painters and concept artists working in the movie, videogame, and TV industry, it can often be important to be able to quickly and efficiently create artwork, for storyboarding and storytelling purposes.Master the Art of Speed Painting: Digital Painting Techniquesaims to be the go-to book for artists training to enter the industry, and for established artists looking to brush up on their knowledge of speed painting. Featuring helpful time-saving tips and techniques from established industry artists, such as how to create and use custom brushes, and how to implement an impressionistic style, there's plenty to offer to help the artist master their craft. In addition, there are time-specific guides for painting in 10-, 30-, 60- or 120-minute periods, all to enable the artist to tailor their abilities to suit any situation that might arise in the high-pressure, time-sensitive creative industry. Become aspeed-painting master in no time! Master the Art of Speed Painting: Digital Painting Techniquesalso aims to fill a void within the digital art book market, as no directly comparative title currently exists. In today's fast-moving world, speed is often of the essence, and this book will become an essential guide for students and established artists alike.
Graphic Clay by
For studio artists, production potters, students, educators, and hobbyists who love working with clay, this project-driven guide is an unmatched teaching tool and a fount of information and inspiration. Focusing on various surface processes, and encompassing skills ranging from letterpress and printmaking to drawing and painting, it offers a wealth of techniques for transferring images onto clay vessels. Graphic Clay addresses such topics as staining sculptural work, glazing, brush application, screenprinting patterns on pottery, and slip, drawing, bisque, decal, stencils, and more. Question-and-answer sessions with top artists show how they developed their signature method and personal style-so that you can discover your own!
